Hints, tips and part 2 of the ‘Guide to Stamping’.

Hello again! 🙂

Yesterday we went through the Rules (there aren’t any) and Guidelines for getting better images when stamping.  We learned the importance of a mouse mat.  We stamped the same image a few times.  We stamped it in different colours too and saw what a difference that made to the end result stamped image.  We chatted about stamping an image in different colours all at once.  And we did a bit of colouring of images once they’d been stamped,  using a rainbow selection of coloured stamped pads.

Today we’re going to move on to something a bit more fearfulSorry.  I meant to sayFearfully Easy.  An impressive bit of stamp magic which, if you don’t know about these types of stamps yet, you’ll be surprised about.

A blog I follow ( PaperPuff ) summed up these particular stamps beautifully when she herself tried them for the first time a few weeks ago.  She called them the stamps of the Three ‘Oh’s.  smiling to myself here because I knew what she was talking about and she’s right. They really are  Three Oh’s.  You’ll see why …    Shall we begin?  Seatbelts on…  handbags on the floor ….  Let’s go!

24 Let's get more serious

These are Altenew Stamps.  I’ve blogged about them before, but this time I’m talking about them because I think anyone who’s having a problem with their stamping should absolutely have this set (or one of their other sets)  in their ‘armoury’.

There are a couple of brands of stamps which allow me to put together a ‘story’, in stamped images, in different ways.  Even if I use the exact same stamps over and over, I can actually still make one-off cards – each of them totally different from the last. 

These two brands are: 

  • Card-io Stamps  – which I adore, these are available direct from Card-io themselves,  (their name is a clickable link which will open in a new window) ... 
  • and . . .  the fairly recently introduced into this country:  Altenew Stamps.  You can now buy quite a selection of the Altenew Stamps from various places which you can find on the web.  Google ‘Altenew’ and it will give you suppliers.  (I use ‘My Mums Craft Shop’ and have had only great service from them – but shop around.  You may find a supplier close to where you live.).

For this ‘play around’, I’m going to use the Altenew Stamps, Vintage Rose collection, shown in the last photograph.

Some of the Altenew stamps come in big sets,  like the set in the photo above, but within that set is a collection of smaller ‘groups’.  In this set, each group makes one rose for you,  in different shapes and sizes, and there also different sets of leaves, again, different shapes and sizes.

35 Clear stamps whilst using

In this photo I’ve tried to show you how I pick out each group that I’m going to use, and I pop them down in their group (in lines – top row is the large rose, middle row is the medium rose & bottom row is the small stamp) so that I don’t have to keep peeling them off the carrier sheet.

I’ve chosen to stamp a larger rose.  The particular stamped image I’m going to stamp has 3 different stamps just to make one rose.  In some ‘groups’ of the larger set, there may be 4 stamps to make just one image.  Keep reading, it’s not as difficult or as scary as it sounds….  🙂

25 Background palest colour of the rose stamped

One Stamp.  One pale yellow colour stamp pad.  The combination of which gives us . . .   a  frankly underwhelming image.  . . . . .  ‘Oh’ – number one!

You stamp the palest colour firstThe paler colour of the roses tones.  I’ve chosen the Yellow set of cubes from the Altenew Pads here – but if you have a selection of tones in the same colour way eg:  four different shades of red/pink, or blue, or green etc etc, then you don’t have to buy the stamp pads just to use the stamps.

26 Second colour for midtones of rose

Then, using the second rose stamp in the group and the next colour,which is slightly darker than the first pale colour.  . . .    ‘Ohh!’  – number 2.

As I mentioned above –  In some sizes of roses there will be three stamps, in others there will be four.  (Hence the reason that the Altenew mini cubes come in sets of four).

27 how to partially overstamp an image with another one

Mmmm.. what’s happened here then??  (I hear you ask)…   well, I want to show you OH! number three, but I wanted to make sure that it impresses you in such a way that you really do ‘get it’.  I’ve covered up the finished Large and Medium sized roses which I’ve already completed, and this last rose, the small one, is at that ‘second stamp’ stage …

28 Finished little rose

That small rose has now had its 3rd colour from the stamp pads, but you can’t really see what I’m trying to show you about how these stamps will make you look like the Stamping Expert of the Year.  Let’s continue and see where this goes …

29 All roses covered, leaves stamped

This time I’ve covered up all three roses But … I’ve added some leaves on vines.

If you’re going to ‘build’ a picture with these stampsin this case a rose,  – you have to start with what’s in the foreground and then follow it up with whats in the background.  But in order to do this you complete each section at a time, but then cover up that section so that you don’t stamp over it and spoil what you’ve done.  As you can see in the photograph above, as I’m stamping the leaves and vines, some of the leaf/vine stamp is actually stamping onto the ‘covers’,  –  so, imagine the mess they would be making on the roses if I hadn’t covered up the work I’d already done.  (If this sounds complicated, don’t fret.  It’s honestly not … as you’ll see …..)….

Now the leaves in the photograph are fine and groovy, but … they don’t have any shadows, or veins to the leaves…..  so let’s pop some in.

30 Veins stamped on leaves

I’ve stamped in the veins and shadows … but I’ve purposely ‘missed’ the right places on the leaves by just ‘off center’  with the stamp.  This ‘miss’ is a prolem that can happen to all of us at some time, so don’t beat yourself up or trash what you’ve worked hard on  It’s not the end of the world.  Like I showed you yesterday, in part one of this guide, you can ‘paint’ with your stamp pads!  So this can be put right really quite easily.  Stamp the ink pad on your glass mat (or plate, saucer etc) and then dip your paint brush into a little water, but take off as much of the water as possible but leaving the bristles damp enough to ‘mix’ into the inky blob and then ‘smudge’ & paint the already (miss)stamped bit.  Then simply ‘paint’ the veins of the leaves just a little  ….. practise this a little on scap card.  You’ll soon get the hang of it.

31

No gaps between leaves and veins now.  So … are you ready to look at the roses? . . .

32 Fishined set

The third ‘Ohhh!’  . . . You can see how masking off the roses means that the vines and leaves don’t make a mess of the images you’ve already stamped.

 

33

So .. let’s stamp the other corner of the card in the same way …

 

34 Finished double roses card front

I’ve stamped a group of 4 roses in the bottom left corner, so that you can see that even though two of the roses are the same, they look different because the stamped images have all been turned around and stamped differently. and the leaves are all different – even though they’re the same!

36 Stamping a sentiment

Shall we make a sentiment for this card?

37 stamping a sentiment

In this photo I’ve stamped that same word in three differently places.  The top image I stamped on my glass mat.  The middle image I stamped on my desk top.  (That’s not the light giving that effect … that’s a missing part of the image.  And finally … the bottom ‘Amazing’ was stamped using the mouse mat, copy paper and then card sandwich.  You can see that the mouse mat really does make a difference.

38 sentiment words

If you don’t have a sentiment which says what you want to say, simply bring in other stamps, stamp them on scrap card and then use them together.

39 fin

I’ve cut out the stamped sentiments then mounted them on some narrow foam tape and place them on the card.  The foam tape gives a little dimension to the card.

I’ve taken three photographs of this finished card, in different lights, so that you can get a reasonable idea of the brightness of the stamped colours which the stamp pads provide.

40 Fin lay down

Lights full on, so that it’s heaps brighter.

41 Final photo

Some bunnies wanted to say bye-bye!

These stamps really are easy to use, and I highly recommend themfor new stampers and stampers who have been stamping for years.  They really are such a great addition to your stamps.

Phew ... well that’s where we end on our hints and tips Guide to Stamping.  If there is anything I haven’t mentioned that you hoped I would, then please tell me in a comment and I’ll do my very best to help.  I’m not an expert.  I’m a crafter, like you, and these are things that I’ve found work for me, and after a plea asking for some help, I made this ‘Guide’ to help a fabulous lady, Mrs. P, but I’m also hoping that it might help someone else along the way too.

Thank you so much for visiting and having a coffee with me.  I love your company, as you know, and  the fact that you visit really does mean the world to me.  So thank you for coming.

May your Tuesday be filled with love and smiles.  Sending crafty hugs and oodles of  lve  ~  till next time …

Sig coffee copy

 

 

 

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Stamping: how to; where; with; what; . . . & what next?

I love to craft, but freely admit that I’m a bit of a ‘crop sprayer’.  By that I mean that I don’t just stick to one craft. I make cards, tags, scrapbooks, boxes.  I work with polymer clays, making anything from a tiny miniature mushroom, or fairy baby’s little face, right up to a fairy tower for a princess,  with turrets and fairy door and .. well everything a Princess Fairy Tower would have!  I love to re-cycle or up-cycle by turning unwanted into something brilliant;  and …. I paint.  When the mood takes I will paint anything which stands still long enough.  Not painting as in ‘lets paint these walls a different colour’, but painting on:  canvas, wood, paper, card, coffee tables, dining room tables,  chipboard,  … or anything which doesn’t move when I’ve got a paintbrush in my hand and a need to use it.

But,  I actually started out my crafty adult (w-a-a-a-y  over the age of 21 plus tax)  years ‘potterying’.  Not on a potter’s wheel, but the other kind.  Hand building.  I can’t call it sculpting because (to me) that word kind of presumes that I might be good at it.  Now I wasn’t bad, –  in fact I made things which sold well at Craft Fairs, etc.  But I really don’t deserve the title of Sculptor.  I’m no Master Craftsman in any sense or form!

I learnt this incredible craft by going once a week to a genuine real sculptor (a true ‘Master Craftsman’ – coo, the things that this person could turn out were MAGNIFICENT!)  where I spent 3 hours each week, being taught how to do ‘stuff’.  Once the ‘magic’ of this incredible craft opened up to me I LOVED it.  The Sculptor brought out the best in me and showed me ‘how’ to do what I had in my mind to do, and how to get from a doodled drawing into something solid which I could amaze myself at when it was finished. (Half the time I couldn’t believe I’d made  *that*!)  But I wouldn’t ever have been able to make the things I did had it not been for this incredible Master of the art at Sculpting who shared all the knowledge with me.

And that’s the thing.  We all need someone with a little bit of knowledge about something, who we can ask for some general help from when, we want to begin something but aren’t sure exactly what we even need to know which would give us the confidence to do the ‘thing’ – whatever that thing might be.

A fabulous blogger who follows our little blog here,  by the name of Mrs. P. made a comment on a post I did on the blog, and in it she said….

“Have you ever done a post on the basics ~ please read that as … OK I want to try making a card / stamping, I’ve bought some stamps, an ink pad & even some die cut thingy’s and then realising I have the skill set of a 4 yr old …had a tantrum, put said goodies away only to retrieve them every now and again to stroke them, sigh deeply ~ repeat from tantrum to deep sighing on a regular basis”

When I read the comment I actually felt her pain, for when I first began stamping I did virtually the same thing.  I tried them, the images weren’t the fabulous things I’d hoped for so I put them away.  I tried again, and same result… and over a period of time I muddled my way through things and eventually learnt what worked and what didn’t.  So .. here I am, a total un-expert, trying to hold Mrs. P’s. hand, and give any help I can to encourage both Mrs. P and anyone else who finds stamping a pain in the you know what.  As I said…  I’m not an expert .. but here’s what I’ve learnt and what I think might help out.

* I’ll be using both words and photographs as we go through this bit of ‘help’, and in order to do this I’ve had to take a ton of photographs and do some stamping with you at the same time.  I’m sorry about there being so many photos.  With regard to the stamping ..  I’ve tried to, as much as possible, stamp like a regular new stamper.  So that any images here will show you that the images you’re stamping are fine, and also how to make good any little mishaps you might have.  I hope all this helps.

1 Blank Space

SCARY  BLANK  CARD!

When you face that blank card in front of you, it’s right at that moment that your nerve goes. Your brain whispers thngs like:-. What if I make a complete ba**s up of this and waste time  and a card and what if it all ends up in the bin?  I’m  sure I can’t do this!     Don’t listen to it.   You and I are going to prove to your brain that you’re the boss, and this stamping lark isn’t anything like difficult.

  • But first .. some rules and guidelines. 
  • There are no rules.
  • So lets get onto the guidelines:-

The better the stamp the crisper the image.  I’ve found that red rubber stamps give the most magnificent impression, however I LOVE clear stamps because I can see exactly where I’m placing the stamp.  It’s all down to personal preference.  And you won’t know which you prefer until you’ve been stamping for a short while.  (There are stamps about which look like red rubber stamps but aren’t. We’ll have to talk about that another time)

Ink Pads:  I hate to say this because .. well, I’m a canny shopper and watch the pennies, but … from experience … the cheaper the stamp pad you buy, the less ‘lovely’ the image is likely to be.  Obviously there are exceptions which prove the rule, but I’m just speaking from personal experience here, and because of that I don’t buy stamp pads from Ebay or anywhere other than recognised stores which sell crafty goodies. (Not necessarily craft stuff only stores.  I’ll buy from The Range, which is a fabulous place to shop for craft items (here in the UK) and I also have a selection of more affordable DoCrafts embossing stamp pads which work BRILLIANTLY.  But I don’t buy from market stalls or things like that).

CLEANING UP!  …  You MUST clean your stamps after you’ve used them.  As soon as possible after you’ve used them.  Personally – I use Huggies Baby Wipes.  The reason I use this brand is because they have no Alcohol in them.  (Lots of baby wipes do have alcohol, so check the list of ‘ingredients’ if you’re buying them for your stamps, as alcohol spoils the stamps!  Why its used in BABY wipes is a total mystery to me … if I’m protecting my crafting stamps from alcohol, then surely we shouldn’t be wiping our babies btm’s and hands/faces with wipes containing it?  Yes?  No?  Is that just me thinking like that?)

Anyhoo ... let’s begin….

1.  Begin on a piece of scrap card.  Play with your stamps just like a child would play with them.  Stamp over and over. Just to remove the fear of the action of stamping and making a mangled mess of inky shapes on a bit of card.

2.  Now turn your bit of scrap card over,  once you’ve done the first exercise Then grab your computer mouse mat.  (If you haven’t got one of those, please buy one.  Just a cheapy one – so long as it’s that squishy rubber or sponge type – rubber like neoprene rubber  or sponge like a kind of firm foam sponge with a bit of ‘give’ –  and then keep it just for stamping).   In the meantime, if you haven’t got a mouse mat, use something like a folded FLAT weavenot the bobbly type – tea towel*.  Fold it, make sure there are no creased up bits which will make marks on your ink.  Then once folded neatly … put it on your work area,  where you’ll be stamping,  right in front of you. (*or an old pillowcase would do)

3.  Put a plain sheet of A4 on top of it.  Just copy paper.  Nothing posh or expensive.  Use the cheap stuff.  This is so you won’t mark your mouse mat/tea towel/pillowcase nor your desk.  You DO need that bit of paper.  (You can also check out the colour of a stamp pad on it, and .. it will also keep your cardstock clean too).

4.  Now place your piece of scrap card on top of that, making sure that it’s positioned firmly over the folded tea towel at the bottom of the pile of paper and card. You’ll find that if you stamp your image over the edge of the mouse mat etc, then you’ll get a really rubbish image with bits missing and the chance of the line of the mouse mat pressing into the cardstock and giving it a ‘bend’.

5.  Choose your stamp, if it’s a wooden one then you’re ready to go, if it’s an unmounted stamp then choose a stamp block which is plenty big enough to hold the complete stamp.

6.  Choose your ink pad  then tap your STAMP with the Ink pad.  Don’t leave the ink pad on the desk and jab the stamp up and down on it.  Instead, pick the stamp pad up and hold your stamp in the other hand and tapping the ink pad onto the stamp, move it around so that the ink pad gets tapped all over it, watching as you do it so that you don’t wobble  the edges of the stamp or stamping block onto the inky surface.  If you do this by accident, then either use your thumb to rub away the excess or use a baby wipe to wipe it away so that it doesn’t end up marking your card.  This tapping all over the ink pad is in case there are any ‘cold spots’ on the pad, where perhaps the ink is just a tiny bit less intense.  By moving the stamp pad over your stamp, in a tap, tap, tapping motion, you’ll ensure that you have inked all the raised parts of your stamp equally.  Oh .. and don’t ‘drag’ your pad over your stamp, because you’ll end up with a build up of ink in places and it will transfer to your card, making an uneven colouring.

7.  Carefully place your stamp down on your cardstock and press down, firmly  but not hard.  You aren’t trying to push it through the desk top!  But you do want to ensure that all the raised parts of the stamp are in contact with the card.  DON’T ROCK YOUR STAMP!  If you do then you’ll likely get a ghost effect of parts of the stamp.  If you’ve done that then don’t fret.  It happens to everyone.  Just stamp it again.  At the moment we’re only playing anyway!

4 Stamped

8.   Now .. take another, different bit of card and place it on the desk top, but not on the pad of tea towel and A4 paper.  Tap the same stamp you’ve just used, with the same ink pad, and then using the same firm press,  press that same stamp onto that piece of card.  Check out the difference between the two images.  Which one looks best to you?

Some stamps will work and give you the exact same image every time.  However most of the others won’t.  Most images which a stamper produces are much improved by the use of a mouse mat, or the folded tea towel/pillowcase.  There’s something in that bit of ‘give’ which just makes the impression so much sharper, neater, better.  But … if your stamp works without it then that’s great.

Each stamp may need a different method, so the best thing to do is stamp your stamp on some scrap card or pape before you begin your actual project, so that you can give it a test first.

Now .. choose your favourite image which you’ve stamped and let’s colour it in. . .

5 Colouring

You don’t HAVE to colour in a stamped image by using pens or crayons

How do you like to colour things in?  Is your craft room complete with specialist pens, crayons etc which you paid a price for?  Do you get along with those things?  Do you get great results?  If so, then use those.  Use the method which you love the most.

Not everyone is a colourist (the name for someone who colours their images with specialist colouring pens/pencils).  For those who either don’t like the results they get with pens, or would just like to try something a little different, or if you don’t have special colouring pens … then here’s something you can do which won’t cost the earth.  All your need is a few paint brushes which are suitable for water-colours and your stamp pads.

Choose a colour from your ink pads which you’d like to ‘paint’ your image.  Stamp that stamp pad onto your glass cutting mat.  (If you don’t have one of those … do you have a glass cutting board in your kitchen?  Could you ‘borrow’ it,  just to use one corner of it, just for this teach in?  If not – do you have a little plastic palette, the type used by painters?  Or.. do you have one of those foam plates which you used to see as picnic plates?  One of those would work fine too.  Last suggestion … a spare odd saucer or plate – but wash it thoroughly before any food use.  You’re using dye inks here – so if you have an odd saucer which you don’t use then that would be best.)

6 More colouring

You need a little pot, or a saucer for some water.  You don’t need much water – just about a tablespoonful – so you don’t need a huge, great thumping dish!

As you see in the photo above, I’ve stamped a Danube Blue Memento ink pad onto my glass mat.  I dipped my brush into the little bit of water in the pot, then dragged most of the water off the brush,  and only then did I tap my brush onto the glass mat next to the inky blob.

Use your brush to mix a tiny part of the inky blob and pick up some ink, and take it straight to your image. (don’t hang around as the brush will dry pretty quickly).  Use a brush size which is appropriate to what your ‘painting’.  If you have a tiny flower then obviously don’t use a one inch brush!. lol.

Use as many colours or as few, as you like.  Colour your image in any way you want.  If you’re finding that you can’t paint in a neat way .. then paint in a ‘Contemporary Art’ way.  Blob, stripe, stroke, dabble or anything you like which works for you.  Remember, we’re only playing so anything goes!

7 Fin colours

A more contemporary style of colouring an image.  Who would have thought that a church would have looked so fabulous painted blue, yellow, purple and orange!

Once you’ve done that  colour one of your other images which you’ve stamped  .. only this time in different coloursPens/Crayons/Inks/Paints … anything you choose – just use different colours.

8 Diff. colourway 1

colouring another image using different colours.

9 Diff. colourway 2

Another Contemporary Art church!

Ok ... let’s use some words now ….

10 Stamping Sentiment

Now choose a sentiment stamp which would kind of ‘go’ with your image.  And using the same tap, tap, tap method of the ink pad  on the stamp (not the other way round) ink up and then stamp your sentiment near to your image – near it so that it speaks to it – but not so far apart that it looks like the words and image have had a row and fallen out!

12 Diff col

Of course …  You don’t have to colour your image in at all.  You can leave it exactly as it is, and it can look rather swish and very classic. . .

13 No colour

14 Diff Col plus , , ,

But … how about different colours again, but this time … lets take it a step further . . .

15 With spray still wet

. . .   let’s spritz it with a spritzer which has some Mica suspended in the liquid, so that when it dries after a few minutes …

16 Dry Spray

It dries perhaps a little paler but .. hang on … where’s that Mica? ....

17

Ah haaaa!  There it is.  Twinkling away merrily!

Ok .. we’ve done that stamp.  Let’s try a different one, and this time a different colour of stamp pad.

Lots of people only stamp in black ink.  I’m not sure if that’s because they love the black ink so don’t want to try any other colour,  …  or if maybe they just haven’t thought about another colour … or if perhaps they have no idea about what colour to use so use black for safety.  Different colours can give you different results.  Even stamp pads from the same company.  It’s not that the ink isn’t the same, it’s the colour which is different.  Each colour will do things for you which another colour might not do.

Let’s trygrey….

18 Stamping with different colours

This wee little rascally rabbit is stamped using a  Memento Ink pad in a colour called London Fog.  It gives a much softer image.  Imagine that same image in black.  In the London Fog (grey) it looks more … pencil drawn. More soft.  Gentle.

But .. what would it look like in another colour?

19 Diff. Col. comparison

London Fog on the left. Rich Cocoa in the middle.  Tuxedo Black on the right.

20 Colour Comparison

A closer up photo so you can see it more easily.  (I forgot to say .. if you want to see the photographs bigger than they are here, right-click on any photo and choose ‘View Image’.  Don’t forget to click to come BACK here again though!)

You can see how the exact same image gives a totally different ‘feel’ about it, simply by the choice of ink colour.  If you want to stamp an image but are not sure of which stamp pad to use, then test stamp it first.  Do a comparison like the one above of the rabbits.  If you stamp them near to each other (but give a little space so that they have their own space to ‘be’) you’ll make choosing so much easier for yourself.

I think out of those images I rather like the Rich Cocoa colour in the middle.  Let’s try that colour on another image …

21 Different stamp

Aww!  So sweet and so right in that Rich Cocoa Brown.

Ok … so far we’ve only used an unmounted stamp here.  Let’s try something different.  Let’s go to a wooden mounted stamp, but let’s make it a difficult size.  This next stamp is so big that I have difficult holding it in one hand.

22  Lets try a BIG stamp

A large wooden mounted stamp in red rubber.  Large stamps can be a pain in the rear, so don’t expect to get a perfect image the first time you stamp it. You’ll have to get used to the size and shape, as well as the heaviness of this type of stamp.  So give yourself chance.

Large, detailed stamps such as the falling fairy one above, can be a tricky to decide on what colour to stamp it in sometimes. You can just use one solid colour stamp pad and stamp it out like the church I stamped (above), then you can colour the image afterwards in various ways.  Or .. you can play around with your stamp pad colours and stamp the stamp in an assortment of carefully placed colours so that you have some colours there already  … like this …

23 Stamping in colours all at once

The inks around the right side of the image, are all the colours I used  on that one large stamp, all at the same time.

This multi colour stamping is a great trick.  But … you have to be quick –  unless you’re using embossing ink pads – those dry slowly so will allow you the extra time you require to stamp the inks onto the stamp.

But .. if using Dye Inks… they dry quickly, so you need to be quick applying the inks onto the stamp.  BUT … here’s the trick…  If you feel you might have taken just a few seconds too long:-  Hold your stamp up to your mouth, open your mouth as if you were yawning a big yawn, but take a breath in and HUUUFFFFFF a long huff on your stamp.

Imagine you were trying to blow a candle out with your mouth wide open, or if you had some fingerprint marks on your glasses (spectacles) and you wanted to get them off using a tissue … you’d HUFF on the lens and then wipe it with the tissue).  HUFF!  You might want to huff a couple of times if the stamp is huge.  But again … try it out on scrap card first.  Then you’ll know what to do to make it work for you and your stamp.

Ok … Let’s move forward onto something more kind of grown up, but still a ton of fun.

But …  I’ve kept you here for quite long enough for one day.  How about we do the second part of this ‘helper’ tomorrow, so that your  b.t.m.’s  don’t loose all feeling and you don’t get DVT from sitting there reading this.  🙂

Well it’s Monday again, and yet again, someone has stolen three days from last week.  I’d like to know who’s doing that, and if I catch the little divil, I’ll string him up by his ears!

All that’s left for me to say is …  I hope your Monday is wonderful.  Be it peace filled or full 0f excitement.  Just …  whatever you’re doing today … at some point stop and realise that right at that moment you’re making a memory.  All you have to do is commit it to memory, memorise it,  and then perhaps share that memory with someone later in the day.  Share it with me if you like.  I’d love to hear about it!

Sending oodles of lve your way.  Have a good one my friends  ~

Sig coffee copy

 

 

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Cheap as Chips Cosmetic Sponges – My Craft Recommendation of the Week!

Cheap as Chips Cosmetic Sponges They're for more than just your face!

Cheap as Chips Cosmetic Sponges
They’re for more than just your face!

As a crafter I’m only too aware of how us crafters can be convinced  (conned?  who said ‘conned’?  see me after school!)  – convinced into buying products that,  well … we could either do without or could buy something far cheaper which works just as well,  or sometimes even better.  Cheap cosmetic sponges are one of those things which I know from experience works just as well,  –  or,  for me at least,  far better than a well-known make, little wooden handled thing with the [costly] replaceable pads which is meant to be the crafters dream blending tool;  or some of the other expensive sponges that I’ve bought in the past which were ‘designed especially for crafters’.

I’ve been using cheap cosmetic sponges in the craft room for quite a while and find them far easier to use than any other option available.  I can control the pressure a lot easier.  I can add as little or as much of the medium I’m using as I want and where I want.   I can dab, swish, pat, splodge, circle, stripe, wipe, swipe and all manner of things which will all give a different effect or ‘finish’.

BUT .. please don’t go to your local supermarket or pharmacy and buy their pack of 6 for £2.99 or some other such ridiculous price.  Go instead to your nearest pound shop and find them in there for just a pound, and that’s for a lot more than half a dozen too! 

I currently buy mine (the ones the photographs) from Home Bargains (here in the UK).  The one pack cost me 99p and the other cost £1.  In the grey pack there are the traditional wedge shapes that we all know as being the ‘normal’ cosmetic shaped sponge.  In the other pack are the assortment of shapes – all of them very much useable.

The 'assorted shapes' pack, unpacked so that you can see them all clearly

The ‘assorted shapes’ pack, unpacked so that you can see them all clearly

You can see in the photo above one of the pads which I’d used two days ago.  (I saved it because I knew I was going to take photo’s for this recommendation).  The sponges from the red/pink bag are all different types, but you’ll be able to use every single one of them for various different projects.  And the best bit?  —> Because they’re as cheap as chips you don’t have to worry about trying to wash these out.  At £1 for so many, you won’t fret about throwing these away when they’ve outlived their usefulness.

But .. added to all this wonderfulness from a crafters point of view  –  … if you should find yourself out of make-up sponges – these are actually ok to use on your face too!  (see the photo below, for the information from the back of the pack).

Not just for crafting ...

Not just for crafting …

Please give them a try.  I honestly don’t think you’ll look back once you’ve tried them.

Thanks for visiting.  Please, have a look around while you’re here, and even perhaps leave me a comment or two so that I get to know you.  It’s so lovely to know who’s reading and what you’re interested in.  If there’s any questions you’d like to ask please ask away in a comment.  I’ll be more than happy to help if I can.

Have a really great start to your new week.

Cobs siggy sml

N.B.  I have not been paid, either in money nor ‘goods’ of any sort to make this recommendation.  This is a personal recommendation based upon my own use of a product and my own experiences in using that product.